Tuesday, January 19, 2010

Billie's Understudy


Skeeder stumbled into the small flat and knocked over the tiny dining room table, the little plant on it crashing to the floor.
"Man, what's that matter with you, you high? Or do I even need to ask," she said. Annie May was only 19, but she had an older woman's voice. I guess that's why she took to singin' the Blues. Guess that's why she went with Skeeder, he could play the drums like nobody's business.
Skeeder collapsed into their bed with his shoes still on.
"Damn it, Skeeder, take off them clothes and have some sense! What you on?"
"I'm high, woman, what it look like?"
"You smell like, African Violet, you got high with Billie?"
"You got nose of a blood hound, woman."
"Skeeder. You didn't."
"You know I'm not here to tell you no lies."
"No. Skeeder... No. Get your alley cat, good for nothin', horse ridin' ass out my bed, fool!" She yelled, and pushed him onto the floor. She got up and closed the door, which was still wide open, withe the light from the hallway pouring in. She turned on a light and took a look at Skeeder laying on his back. She walked to the sink and grabbed a long kitchen knife and walked over to him.
"Skeeder, of all the two nickel whores and show girls you could of stepped out on me with, why you choose my teacher? Why you take her away from me? How am I supposed to listen to her now? How am I gonna learn from her now?" She held the knife tightly behind her back and shifted her weight from right to left slowly.
"Woman, I was so high I didn't know where I was. I thought she was you. She didn't know me from nobody either. I called your name, though, when I reached that promise land, I called your name. She slapped me silly... She slapped me and threw me out the door... can you believe that. I had to go back for my damn shoes. She threw my clothes in the hallway. I called your name, Annie May, and you can believe that."
"I took this knife so I could cut the life out of you Skeeder, but you ain't worth my time. Now get out. You can get used to women kicking you out of they life because you have no decency. You have no shame, and you have no decency."
She threw the knife across the room and grabbed his leg and dragged him to the door. Annie May was a little, pear shaped woman with short curly hair. Pretty when she smiled, but she didn't smile too much. Had too much of that blues in her. She pulled Skeeder into the hallway and went to close the door but he stopped her.
"You know I love you more than life itself, don't you?" He said from his knees.
"Let go of me, " she growled.
"You know I love you like a bee love honey and a fish love water, Annie May. Come on now."
She began to sink. Like a ton of bricks she came down with no bones in her, she came down. She came down and cried like she just lost her Mama. And Skeeder held her close, how he usually held her. Like a man who loved hard but too late. She let him hold her there, and searched for the dreams inside her that had died prematurely of unnatural causes. She searched her heart, and she searched his eyes. His eyes were red, but tender... a real puppy dog... What hurt her most is she couldn't stop loving him. No matter what.

Sunday, November 8, 2009

Brother Blue: Boston Griot


brother blue: boston's griot from joshua bee alafia on Vimeo.


Dr. Hugh Morgan Hill aka "Brother Blue" was one of the great American storytellers. I grew up watching him perform in Cambridge, Massachusetts, in Brattle Square, at Cafe's, the Children's Museum etc. I loved listening to his colorful and often transcendental stories, and I credit him as being one of my chief inspirations to make films. Here is a short clip of the footage from the documentary I started last year. Brother Blue passed over in his sleep November 3rd, 2009. He was 88 years old. I hope to finish the documentary in his honor by the time we have his memorial in the Spring of 2010. His wife Ruth Edmond Hill was his rock of reason, and the librarian that captured his heart and gave him the support needed to be his freeflowing creative whirlwind self.

Thursday, September 24, 2009

Guz: Portrait of a Baller as a Young Man

Guz: Portrait of a Baller as a Young Man from joshua bee alafia on Vimeo.



The Reelworks filmmaker mentorship program approached me with a special project a few months ago. They wanted to do a portrait of a young father to be who was aging out of the Fostercare system named Chris Guzman as part of a series of joint collaborations with Youth Communications. Chris writes for Represent Magazine, and impressed the editors of the magazine with his man up attitude in being dedicated to being a good father, even as he was going through a break up with his pregnant girlfriend. I ended up spending several days with Guz, shooting him in his environment, interviewing his homies, and going up to the Bronx to shoot him in his first apartment, his first experience of being on his own after many years of group homes. He told me about his dreams of playing in the NBA and I've recently shot him meeting up and playing some hoop with Jaime Peterson, a professional basketball player who plays for Grupo Begar Leon in Spain. That will be part two of the video above.
Funny how the gig came in synchonicity to where a lot of my energy is directed these days, from The Seed to Let's Stay Together, I've been really thematically drawn to envisioning the strong family unit, celebrating parenthood as we currently are in a real crisis when it comes to bringing up the youth in safe, nurturning environments. The youth have been abandoned by society on a planetary scale... but we can still step up and invest energy into their blossoming potential.

Monday, August 17, 2009

The Seed is coming to DC

Black Harvest Film Festival in Chicago last week and Boston the previous week have been great screenings. Chuck D of Public Enemy came out and supported at the Roxbury Film Fest.
I've been screening the Seed as a work in progress because it has to be a premiere when it hits the larger film festivals that have a large film market. If you're in the Washington DC area, please come out and support. We're raising funds to take the film to Ethiopia this Fall so we can really start raising funds for the homeless youth of Addis Abeba.
Screening as follows:









Thursday, August 20, 2009 at 7pm
Sankofa Cafe
2714 Georgia Ave. NW
Washington, DC 20001
202 234 4755

Friday August 21, 2009 at 7pm

Jamaica Jamaica

348 Victory Drive

Herndon, VA 20170

Call : 703-481-8641


Sunday August 23rd at 8pm

Busboys and Poets@ 14th and V

2021 14th st NW
Washington, DC 20009
(202) 387-7638 -


Hope to see y'all! I'll be there for Q n A following each screening and selling DVDs of Cubamor.


Thursday, July 23, 2009

BLK JKS... the sound of our time.

blk jks july 5 rebel soul at weeksville from joshua bee alafia on Vimeo.



South Africa's luminous band BLK JKS plays Bed Stuy's rootsy music festival Rebel Soul at Weeksville on July 5th, 2009. On July 4, 1827, New York state declared emancipation from slavery for Africans. Unable to celebrate openly on Independence Day due to threats of violence, the black community honored newly won freedom publicly July 5. So the day was one of liberation in commemoration of our Independence with BLK JKS offering liberted sounds that conjured the Ancestral Spirits of Jimi Hendrix, Fela Kuti and King Tubby and framing them within traditional South African and Zulu sensibilities. It was a day that the Brooklyn Renaissance was honored by our South African bredren in the sunshine of Brooklyn with grass beneath our feet.
The first time i saw them was at the New Africa Live series that Rwandan songstress Somi hosts a year ago. I ended up shooting them as they recorded at Electric Lady Studios, Jimi Hendrix's epic studio that has continued to be the recording studio of choice to folks like D'Angelo, Common, Pharrell, Erykah Badu, and on and on... I talked to Knox, their manager and we agreed this had to be documented for many reasons. I was leaving for Kenya the next day so I spent just one day shooting them lay down their Mystery EP with Brandon Curtis of Secret Machines at the mixing board. One of my favorite moments was sitting at Jimi's pianos.. he has a black one and a white one facing eachother, mini grands... his Spirit is still there... strong... you can definitely hear it in the funk that comes out of there. So down the line, be on the lookout for a doc project that i hope to finish shooting with BLK JKS in september, when they come back to town.

Friday, April 10, 2009

Havana Habibi is shot... now have to cut it.

havana habibi preview

I got back from Havana January 16th, and despite the fact that my tripod hadn't made it on my flight and I had missed my flight two days earlier because I lost my passport... I felt HIGH. High because the journey that is Havana Habibi was coming into it's last trimester... the documentary is shot!